The Confession - John Grisham

**** The tic. The pause. 

Very legal and not very thriller. With this novel Grisham returns after “The Chamber” and “Innocent” to deal with the capital punishment and to denounce the American judicial system, of the states where it is still applied, for the manner in which it is too lightly used for political purposes.
The tagline on the cover (“An innocent man is days from execution. Only a guilty man can save him.”) lets mistakenly think it is a thriller, although it is defined this way. In fact, this fictional, but entirely plausible (and that's what scares), story once again talks about the people, for good or especially bad. Its characters are damn real, starting with Travis Boyette, the one who confesses, who with his tics and pauses, his controversial personality of a criminal with feelings of guilt, because someone is paying for his crime, results in reader annoyance, disgust, but also pity. It isn’t the classic villain, but a character who lives in the grey area between the light and the dark, someone in whom we can identify despite his story.
Here we see the talent of this writer, who with the achievement of a stable reputation is free of telling his stories, which do not have a final twist or a happy ending like in real life. But they are true, almost more than reality.
As the plot develops in an intentionally slow way, jumping from one place to another, you don’t lose at all your concentration, but you are caught by it to the end. And even if it leaves with a bitter disappointment, at the same time there is something comforting, that makes you close the book with a sense of satisfaction. The one you feel after reading a good book.

The Confession on