Just about
a week ago I completed the first draft of “Syndrome”,
after a little more than fifty days from when I started writing it (the first
51 thousand words were written during the NaNoWriMo). The manuscript is now
almost 80 thousand words long.
As I typed the last word, I was really happy, not only because I was done with
it, but mainly because I adored (and
still adore) the ending of the novel.
“Syndrome” is darker than “The Mentor”. The main character, Detective Eric Shaw, must face two
different cases in a few days, which are independent but somehow involve him.
In the meantime, he is living a very complicated personal situation. Twenty-one
months after the terrible discovery at the end of “The Mentor”, Eric must keep a secret that ties him to a
difficult relationship with his “pupil”. He feels imprisoned, even if only
psychologically, and at the same time he is unable to escape. He can’t, but he
doesn’t want to either.
Amongst his
attempts to get distracted from his condition is his affair with an old
girlfriend coming from the past, Doctor Catherine Foulger, the head physician
in the paediatrics ward of a hospital in London. This choice will summon up events
he thought were buried in his memory, and because of which he still feels remorse after decades.
And there
are those two cases. In the first one, a nurse working with Foulger accuses a mother to be responsible for the
worsening of her own child. Meantime, someone
is torturing and killing some drug dealers.
In a few
days, Eric will have to find the culprits
and try to take control of his own life. Will he succeed?
I’m really
satisfied of this first draft. I succeeded in taking the main plot thread (the mentor-pupil relationship) in the direction I
wanted to, in a credible way (hopefully).
Moreover, I
had the chance to exploit some ideas I had “seeded”, unknowingly, in the first
book; it was like the characters already
knew what I still had to invent.
There are
also some tourist scenes, with famous
places becoming the setting of crimes
and chases.
The atypical and open ending (remember: these books aren’t mysteries, but crime thrillers!)
introduces the reader to what will happen in the final book, whose provisional
title is “Beyond the Limit”. A
revelation to the main character, pertaining to something that the reader is able
to guess a couple of scenes earlier, is followed by a little twist in the very
last page, which defines an unexpected
evolution of the character and projects him to the third book.
Do you want
some numbers?
“Syndrome” includes 13 killed characters (!), a little less than 80 thousands words, 9
chapters, and the story, except the first scene, occurs in 6 days.
Learn more about “The Mentor” in the following articles:
I’m Italian, so why is “The Mentor” set in London?
I’m Italian, so why is “The Mentor” set in London?
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