**** Amazing, but not credible
Despite my overall positive opinion on this
novel, there are so many aspects that have left me puzzled.
The plot is that of the classic ferocious
serial killer, who for inscrutable reasons attacks couples, but with the peculiarity
of letting one of the two choose who must die, and ends up starting a perverse
game with the police.
One of the first things I noticed during my
reading is the total absence of a geographic reference. I realised that it was
set in the United Kingdom
only when a character talked about pounds, but for the rest I had difficulty
seeing a precise setting. This thing disoriented me and immediately gave the
story a sense of unreality.
At one point, I guessed the identity of the
killer, but not all his complicated machinations, and I still don’t get the
sense of the latter, since they are self-destructive. You have the impression
that the 50/50 Killer did not intend to get caught, yet he ends up doing things
to himself that would make his life more difficult in the future, if he escaped
from the police. I don’t understand this excess just to put in place such a
complex plan. I don’t understand him giving such importance to this plan,
despite the circumstances. The author didn’t succeed in convincing me. This character
is so central in the story that I’m not content with his madness as a
motivation for his actions.
Even his behaviour at the end didn’t convince
me. It was too easy to beat him and this gave me little satisfaction. It seemed
a solution conceived for the sole purpose of completing the story, but lacking
any own intrinsic logic.
Moreover, I could not feel a bond with any
character, including the first-person narrator (Mark, the young detective). I
have found the inwardness of each of them unconvincing, also because it’s
supported by an external reality without clear references.
In particular, I found irritating the paranoid
behaviour of Eileen (the wife of Mark’s boss). I couldn’t understand the
necessity of it, until it finally became clear to me that this was just a
gimmick to create a twist. Even in this case, there is no intrinsic logic or at
least it hasn’t been sufficiently shown in the text to make it credible.
I also hated the use the name at the beginning
of each section of the book to indicate the character of the point of view. It’s
absolutely superfluous and consequently annoying. It seems that the author
thinks his readers aren’t able to extract it from the text, which is really bad
because it means that he thinks his own text isn’t well written or his readers
aren’t smart enough (or both!).
Overall, I found the story depressing and not
just because it begins and ends with a funeral.
I was tempted to give it only three stars, but
in the end I got up to four, because the killer’s deception is really well
thought out and developed and you must acknowledge the author for this
remarkable originality, not so much in the idea itself but in the way he was
able to put it into practice.
The 50/50 Killer on Amazon.
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